You took my body home in your car,
the one with the broken headlights
the one with the broken headlights
and the map, stained with grease,
unreadable on the back seats,
next to the wrench,
unreadable on the back seats,
next to the wrench,
the one you should have used to tighten
the wheels, but which instead you used
to hit the stereo so it would still play
our favourite songs, long after
we’d run out of petrol and taken
to walking on separate sides of the road.
we’d run out of petrol and taken
to walking on separate sides of the road.
You laid me out, in the kitchen,
the one I’d meant to paint,
to make it nice for us to cook in,
but which instead,
I’d left a tattered memorial to the old dear
we’d bought the house off, for a song,
because she was dotty and liked your eyes.
I opened my eyes, to see the picture you’d painted
I’d left a tattered memorial to the old dear
we’d bought the house off, for a song,
because she was dotty and liked your eyes.
I opened my eyes, to see the picture you’d painted
across the fridge, it was something you did
instead of filling it with milk, and cheese
and vegetables, in the crisper, do you
know that’s what those drawers are called
at the bottom of a fridge, a crisper?
It’s true, unlike perhaps this picture of you,
It’s true, unlike perhaps this picture of you,
which doesn’t touch, anything more
than your whimsy and love of music
and the fact your fridge is often empty,
but lacks perhaps the colouring in,
which you said you’d do, to that picture
on the fridge, if only for the fact you’d left
your brushes, near the outline of a body
somewhere on the high road.
somewhere on the high road.
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